摘要：
当今时代，中国戏剧、电影产业呈繁荣景象，但在庞大的作品数量背后，真正的经典之作却乏善可陈。就戏剧而言，大量“多元”“创新”实验背后实际仍是同质化的跟风模仿，同时受“后戏剧”思潮影响，传统的表导演体系、“观－演”关系受到挑战，戏剧创作亟待自我省思及对新型“观－演”关系的培育。电影创作同样呈现多样化趋势，观众观影热情的持续高涨无疑对创作者起到激励作用，中国的电影生产者也正在市场化与主题的深化、形态的创新之间探索着一条良性发展的道路。为进一步探讨当代中国戏剧、电影创作存在的问题及未来可能的发展路径，本期约请杨扬、丁罗男、周星、陈军等戏剧、影视界名家共议创作现状，为当代中国戏剧与电影之症候把脉。
Abstract:
Nowadays, China’s drama and film industry is booming, but behind the huge number of
works, there is few real classic. In terms of drama, behind a large number of "pluralism" and "innovation"
experiments, it is still a homogenized imitation. Drama creation needs self reflection and cultivation
of new relationship. Film creation also presents a trend of diversification. The continuous rise of film
watching enthusiasm can undoubtedly inspire creators. Chinese film producers are exploring a benign
development path between marketization, theme deepening and form innovation. In order to further
explore the problems and possible development path of contemporary Chinese drama and film creation,
we invited Yang Yang, Ding Luonan, Zhou Xing, Chen Jun and other experts to discuss the current situation of creation, and to find out the symptoms of contemporary Chinese drama and film.
杨扬, 丁罗男, 周星, 陈军.
[J]. 探索与争鸣, 2020(11): 123-140.
Yang Yang & Ding Luonan & Zhou Xing & Chen Jun.
The Present Situation of Chinese Drama and Film Creation: Symptoms and Reflections(Written Talk)
[J]. Exploration and Free Views, 2020(11): 123-140.