摘要： 凭借着比文言文系统更为明白精确的表情状物能力，现代汉语为建构百年中国新文学叙事的丰赡、深邃而理性的艺术大厦提供了适当的工具。但其表意功能也在长期使用中产生了一些扭曲。在一些当代作家的写作中，由于种种原因，其文学语言与所能表达的生活内容、思想内容已经无法匹配。为了哗众取宠或掩饰自己的欠缺，他们开始乞灵于对语言符号的操弄，以至于严重败坏了现代汉语交流思考的理性功能，损伤了其承载信息的能力。相应地，文学叙事的语言也产生异化，主要表现为导向欲望宣泄而非事实和思想深度呈现的“挑逗化”、表意系统过于精密发达而缺乏可表现内容的“空心化”、个人风格由“陌生化”向“自动化”大面积坍塌的“模式化”。进一步捍卫现代汉语的本初功能，是目前文学叙事语言义不容辞的使命。

关键词: 语言异化, 挑逗化, 空心化, 模式化

Abstract:  With the ability to express more clearly and accurately than the classical Chinese system, modern Chinese provides an appropriate tool for the construction of Chinese new literature narration. But its ideographic function has also been distorted in the long-term use. For various reasons, in the writing of some contemporary writers, the literary language can not match the content of life and thought that can be expressed. Accordingly, the language of literary narration is also alienated. To further defend the original function of modern Chinese is the mission of literary narrative language. 

Key words:  , language alienation, provocation, hollowing out, patterning