摘要：

以《都挺好》为代表的家庭伦理剧，常常表现挣脱家庭束缚的“超强个体”，却又总使之生硬地回归传统的家庭共同体，这是对20世纪90年代以来中国社会的“后物质”价值观转向与个体化进程的症候式表达。家庭伦理剧通过“乡土性”和新都市空间叙事，呈现出物质主义和后物质主义混杂的多重价值观倾向。有着后物质主义价值观倾向的新世代，试图抛弃物质主义世代的社会伦理，实现个体从乡土社会中的“脱嵌”。然而由于其情感向度缺失，脱嵌的个体不得不以传统的方式十分勉强地“再嵌入”家庭共同体。较之西方，20世纪90年代以后中国年轻世代的个体化，由于缺少“情感现代化”的向度，产生了极端利己的个人主义价值观，不少沦为“无情的个体”。后物质世代的情感结构尴尬地处于“不再”与“尚未”之间，呼唤着情感的“再启蒙”。　

关键词:

Abstract: The family ethics dramas represented by “All is Well” often portray “strong individuals” who have the ability to escape from the family of origin, but these individuals often return to the traditional family community, which is the symptomatic expression of the “Post-Materialist” values turn and the individualization in the 1990s. Family ethics dramas narrate the stories in the rural society and the new urban space, and express the values of materialism and post materialism. Unfortunately, although the new generation who believes in Post-Materialist values have tried to abandon the social ethics of the materialist generation and realize the “disembedding” of individuals from the rural society, however, due to the lack of emotional enlightenment of the young generation, individuals have to “re-embed” the traditional family community. Compared with Europe, due to the lack of “emotional modernization”, some young generation after the 1990s believe in the values of egoism and individualism, thus become “individuals without empathy”. The emotional structure of post-materialist generation is still between “no longer” and “not yet” , so it is necessary to re-enlighten the emotional ability.

Key words: post-materialist, individualization, family ethics drama, emotional modernization