摘要：
扬州大明寺的鉴真纪念堂常被视作传统文化复兴或中日友好的代表，但这两种叙事都是不完整的。纪念堂的设计来自世界建筑史的理念世界，体现了梁思成建筑思想背后“文化—世界主义”与“道德—世界主义”两种立场的缠绕。纪念堂的营造则紧随冷战世界格局演变的两个重要时刻——1962年与1972年，是以功利主义为底色的世界主义实践的产物。作为鉴真纪念堂的纪念对象——鉴真与梁思成，二者不断被强化的民族主义叙事背后，是被压抑与遮蔽的世界主义生命记忆。上述世界主义场景不断激发着我们在个体与共同体层面对跨界认同难题的思索，其中关键就在于如何守护生命的本真性。
关键词:
鉴真纪念堂 ,
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认同 ,
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世界主义 ,
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结构理性主义 ,
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本真性
Abstract:
Jianzhen monumental Hall of Daming Temple in Yangzhou is often regarded as the representative of the
rejuvenation of national traditional culture or the friendship between China and Japan, however, this narrative is
incomplete. The architectural entity on site can only be said that it comes from the concept world of architectural
history. Jianzhen Monumental Hall embodies two cosmopolitanism of Liang Sicheng and Lin Huiyin’s architectural
thoughts, that is,culture-cosmopolitanism and morality- cosmopolitanism. Jianzhen Monumental Hall is the product
of utilitarian-cosmopolitan practice. These cosmopolitanism scenes constantly inspire us to think about the issues of cross-border identity at the individual and community level. The key lies in how to protect the authenticity.
Key words:
Jianzhen Monumental Hall
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identity
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cosmopolitanism
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structural rationalism
,
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authenticity
邓良. 城市与空间 | 鉴真纪念堂：世界主义的暧昧客体[J]. 探索与争鸣, 2021(2): 134-142.
Deng Liang.
Jianzhen Monumental Hall: The Ambiguous Object of Cosmopolitanism
[J]. Exploration and Free Views, 2021(2): 134-142.