摘要：

新文化运动时期，“新人”即“新青年”，“新人”的抽象普遍性由“新青年”的革命性所激活、再造和现实化；“新青年”与“新人”的辩证法得以生成，这既是主体性生产的辩证法，也是创造新政治的辩证法。在革命年代，“新青年”与“新人”的辩证法表现为先锋队与主力军的关系；改革初期以来，二者的典型形象分别蜕变为消费者和生产者，昭示着“新青年”与“新人”辩证法的转变。在“中国道路”的新时势中，当代青年再次展现出清晰的主体性，他们拥有强烈的劳动者意识、国族意识和文明意识，标志着“新青年”与“新人”辩证法的再新。

Abstract:

During the New Culture Movement, the“new man”were the“new youth”, and the abstract universality of the“new man”was activated, recreated and actualized by the revolutionary nature of the“new youth”. As a result, the dialectics of“new youth”and“new man ”are formed, which is not only the dialectics of subjective production, but also the dialectics of creating new politics. In the construction era, the dialectics of“new youth”and“new man”was manifested in the relationship between the vanguard and the main force. Since the beginning of the reform, the typical images of“new youth”and“new man”have transformed into fashionable consumers and pure producers, respectively indicating the dissolution of the dialectics of“new youth”and“new man”. Under the new historical trend of the Chinese road, contemporary youth have re-displayed a clear subjectivity.