摘要：
基于数字时代艺术与城市之间关系的变化，艺术不仅是反映或再现城市生活的镜像，而且成为构建数字化城市感知的界面。“界面”的隐喻意味着艺术实践在与城市的交互中，以其含蕴的连接关系、生成机制和形式框架，提供了城市感知的视角和方式。对《蜻蜓之眼》《不存在的信札》以及《地方音景：苏州的声音地理》这三个艺术实践的案例展开分析，可以具体揭示艺术作为“界面”在提供城市感知条件、培育城市感知意识等方面显示出的创造性和丰富性，也有助于从“界面”角度把握艺术与城市的关系，理解数字时代城市文化。
关键词:
数字时代｜艺术｜城市感知｜界面｜隐喻
Abstract:
Focusing on the changing relationship between art and the city in the digital age, this paper tries to make clear that art is not only a mirror image that representing urban life, but also an interface constructing for digital urban perception. As a metaphor here, interface implies that art practice, in its interaction with the city, provides a perspective and a way of perceiving the city with its inclusive connections, generative mechanisms and significant frameworks.
Key words:
digital age｜art｜city perception｜interface｜metaphor
陈霖.
数字时代的艺术：构建城市感知的界面
[J]. 探索与争鸣, 2021(8): 130-140.
Chen Lin. Art in the Digital Age: Constructing an Interface for City Perception[J]. Exploration and Free Views, 2021(8): 130-140.