摘要：
新诗内在的“自由”属性及其口语化、散文化之合法化进程，使得新诗发展内部始终蕴藏着一股消解写作难度、偏离诗性的力量，不断构建“难度诗学”以匡正没有难度的新诗写作，成为新诗演变史的突出特征与历史宿命。当前，重建新诗写作“难度诗学”的使命，主要应由具有理论创造力的诗人承担，重构的目的与根本原则是诗性创造，可遵循五大基本思路与具体原则：创造性转化古典诗学资源；批判性借鉴近百年来新诗“难度诗学”建构经验；弄清新诗写作的当下境遇和诗意生成的新语境、新机制；探索新时代中国人诗意栖居于汉语的新方式；落地于诗人的诗歌创作实践与理论思辨。重构“难度诗学”既是一种自觉意识，也是一种理论实践行为，我们应充分认识到重建的历史价值及其诗学限度。
关键词:
难度诗学,
缘起,
重建原则,
限度与价值
The“free”nature of new poetry, and the colloquial prose tendencies make new poetry always
contain the power to dissolve the difficulty of writing and deviate from poetry, so the construction of“difficult
poetics”has become a prominent feature and historical fate in the evolution of new poetry. At present, the
mission of reconstructing the“difficult poetics”of new poetry writing should be mainly undertaken by poets
with theoretical creativity. The purpose and fundamental principle of reconstruction is poetic creation, which
can follow five basic ideas and specific principles: creative transformation of classical poetic resources; critical
reference to the experience of constructing new poetry“difficult poetics”in the past hundred years; figuring
out the new context and new mechanism of new poetry writing; exploring new ways for Chinese people
to poetically inhabit the Chinese language in the new era; and implementing poets’ creative practices and
theoretical speculations. The reconstruction of“difficult poetics”is not only a kind of conscious awareness, but also a theoretical and practical behavior. We should understand the values and limits of the reconstruction.