摘要：
木心的《从前慢》不仅是一个怀旧文本，同时也是一个“慢速审美”生存的镜像文本。当下《从前慢》以二次创作的方式被广泛热议，诗中的“慢记忆”书写隐喻了一种“慢速审美”理念，表达了现代人对加速现代性文化镜像的回应和反思。“慢速生活”和“慢速美学”观念为对抗竞速文化下的新异化提供了一种美学反思路径。现代人提倡慢速的生活态度，呼吁走向“慢速美学”或“慢速审美现代性”，正反映出竞速时代的审美救赎诉求。
关键词:
竞速时代,
文化镜像,
慢记忆,
慢速审美现代性
Abstract:
Mr. Mu Xin’s poem“Cong Qian Man”is not only a nostalgic text, but also a mirror text of“slow
aesthetic”survival.“Cong Qian Man”is a metaphor for the concept of“slow aesthetic”, which is a response
and reflection on the cultural mirror image of accelerating modernity. The concept of“slow life”and“slow
aesthetics”appeared just to counter the new alienation of accelerating culture. Modern people advocate
the concept of“slow life”and call for“slow aesthetics”or“slow aesthetic modernity”, which reflects the aesthetic redemption pursuit in the accelerating era.
Key words:
杨向荣, 雷云茜.
走向慢速审美现代性——竞速时代的文化镜像及其审美反思
[J]. 探索与争鸣, 2022(7): 118-123.
Yang Xiangrong & Lei Yunxi.
Towards Slow Aesthetic Modernity——The Cultural Mirror Image and Aesthetic Reflection in the Accelerated Era
[J]. Exploration and Free Views, 2022(7): 118-123.