摘要：
近年来，中国艺术史实践在新艺术史思潮的带动下，通过对原境重构和阐释的重视焕发出巨大活力。其对艺术作品的空间和现场意义的重构激活了各项思想资源，促进了学术整合，有助于恢复中国艺术作品所承载的文化意义与历史记忆。但是，艺术史学科在迎来丰厚契机的同时，也面临着其他历史学科对其学科方法和学科边界的质询和挑战：艺术史学科所要处理的对象与一般历史文献有何不同，如何应对“艺术”和“历史”的张力等。带着这些问题，艺术史研究应走向一条充分重视艺术作品的物质—技术属性及其带来的情感效果，并不断重返现象的路径。
关键词:
艺术史,
历史,
情感,
物质性,
现象
Abstract:
In recent years, driven by the new trend of art history, the practice of Chinese art history has
shown great vitality through the emphasis on reconstruction and interpretation of the original situation.
The reconstruction of the spatial and on-site meaning of artworks activates various ideological resources,
promotes academic integration, and helps restore the cultural meaning and historical memory carried by
Chinese artworks. However, while the discipline of art history has ushered in abundant opportunities, it also
faces questions and challenges from other historical disciplines on its disciplinary methods and disciplinary
boundaries. The subject of art history is confronted with questions such as how the objects it deals with are
different from general historical documents, and how to face the tension between“art”and“history”. With
these questions in mind, art history research should move towards a path that pays full attention to the material-technical attributes of works of art and their emotional effects, and constantly returns to phenomena.
Key words:
art history,
history,
emotion,
materiality,
phenomenon
高薪. 跨学科视野下的艺术史转向|物质、情感与现象——艺术史实践在中国的问题与方向[J]. 探索与争鸣, 2022(8): 166-176.
Gao Xin. Meterial, Emotion and Phenomenon——Problems and Directions of Art History Practice in China[J]. Exploration and Free Views, 2022(8): 166-176.