摘要：

“情感结构”在雷蒙德·威廉斯的文化理论中兼具认识论和方法论意义，是其探讨当代文化与社会变迁的重要切入点。一个时代特有的“情感结构”在文化实践诸多构成性要素的互动关系中生成，表征于丰富鲜活的个人经验和形态多样的文化文本之中。以互联网技术与数字技术为基础的新媒介引发文化和社会巨变，个体的感知经验被重构，社会的权力结构被重置，文化生产嵌入全新的技术逻辑，数字媒介时代特有的“情感结构”由此产生。人们通过数字媒介开展文化实践、体察个体情感和形成共同经验，因而，讨论数字时代“情感结构”的核心关切点是新媒介文化中的人，以及人在新文化技术环境中的实践方式、情感状况和共同经验。

关键词:

情感结构, 数字媒介, 技术逻辑, 文化实践, 审美变革

Abstract:

Proposed by Raymond Williams, “structure of feelings” is a unique and important theoretical concept, which has great epistemological and methodological significance in Williams’ cultural theory. It also serves as an important entry point for Williams to approach contemporary cultural and social changes. Generated in the interaction of many constitutive elements of cultural practice, the “structure of feelings” bearing the hallmarks of an era is represented in the rich and vivid personal experience and various cultural texts. Since the beginning of the network society, the emerging media based on digital technology have caused great changes in culture and society, with individual perception experience being reshaped, social power relations being reconstructed and cultural production being penetrated by a new technological logic, and thus the unique “structure of feelings” develops in the digital age. Through digital media, people carry out cultural practice, observe individual emotions and form common experience. Therefore, to discuss the “structure of feelings” in the digital age, the core focus is on people in the new media culture, as well as their practice, emotions and common experience in the new culture and technology environment.

Key words:

structure of feelings,  digital media,  technical logic,  cultural practice,  aesthetic revolution