人类的生命情景与生活情绪溢出了现行的身体话语，人身的难言之隐需要借动物之身方能说明。人在动物身上看到脱离此身困境的可能，即走向共同“体”。这种由想象、官能、情感带来的综合效应就是幻肢。幻肢往往与“痛”关联，只有疼痛才能感知、定位、言说幻肢的存在，它是已经失去的身体局部，是经由想象与情动创造的外在于“我”的身外之体、是未曾经历却要忍受其痛的历史载体。幻肢可以作为一种历史情感、批评装置与研究视角，唤起一种通过文学才能感知的跨文化、跨物种的链接意识，通过断裂感知整体，通过隔离寻求联系，通过痛苦获得疗愈，并促使我们反思在这个多民族文学并发、多物种共生的星球上，不同主体作为共同体应该如何生存、如何阐释自己的身体，以及人文在其中又有何意义。

幻肢, 动物, 文学共同“体”, 翅膀诗学, 大众文化

The existing discourse on the human body fails to adequately capture the complexities of human life situations and emotional experiences. Consequently, the unspeakable bodily suffering of humans often finds expression through the body of animals. Phantom limb emerges as a literary device that constructs a shared “body” for humans and animals, leveraging imagination, sensation, and emotion. Often associated with pain, the phantom limb can only be perceived and located through pain. It represents a lost bodily part, an imagined extra-corporeal entity, and a historical carrier of unexperienced yet endured pain. This article posits that the phantom limb can serve as a theoretical construct, contributing to the understanding of transcultural and transspecies kinship as a historical emotion, critical apparatus, and research perspective. By perceiving the whole through rupture, seeking connection through separation, and finding healing through suffering, the phantom limb prompts us to reconsider how different subjects should coexist and interpret their bodies on this planet of multi-ethnic literary coexistence and multi-species symbiosis, as well as the role of humanities in this context.

phantom limb, animal, literary community, wing poetics, popular culture